Books And Art

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The Old Grange at Sunset (1877) by John Atkinson Grimshaw (England, 1836-1893). 

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The Absinthe Drinker (1901) by Viktor Oliva (Czech, 1861–1928). Café Slavia, Prague, Czech Republic.

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Umbrellas in the Rain (1899) Maurice Prendergast (USA, 1858–1924). Post-Impressionism. 

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The Russian Bride’s Attire (1884) by Konstantin Makovsky (Russia, 1839-1915). 

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Love Among The Ruins by Edward Burne-Jones (1833-1898) at Wightwick, Wolverhampton (UK). Beautiful P

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Root trolls (1917) by John Bauer (Sweden, 1882–1918), painter & illustrator.   

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The Silent Voice (1898) by Gerald Moira (1867-1959). I wonder what she is saying. Maybe: “There are

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Young girl reading a manuscript by Thomas Cooper Gotch (1854–1931). English painter & book illus

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In the Small Hours (1911) by George Clausen (UK, 1852-1944). Auckland Art Gallery.

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Cave of the Storm Nymphs (1903) by Edward Poynter (England, 1836-1919). A typical Saturday night. 

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Wet Afternoon (1938)by Eric Ravilious. Private Collection. St Mary’s Chapel, Capel-y-ffin, Powys.

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The Dweller in the Innermost (c.1885-6) by George Frederic Watts (England, 1817-1904).  ‘Consc

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Evening on the Baltic Sea, 1830 - by Caspar David Friedrich.

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The Goose Girl (1900) by Valentine Cameron Prinsep (UK, 1838-1904). Girl with a gaggle of geese. Pre

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The message by Thomas Cooper Gotch (1854–1931). Loosely associated with the Pre-Raphaelite movement.

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A Nightmare by Giovanni David (Italy, 1743-1790). Proof that someone has had a worse day than you. 

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La Ghirlandata (1873) by Dante Gabriel Rossetti (UK, 1828-1882). Guildhall Art Gallery, London. Pre-

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Ariel on a Bat’s Back (1819) by Henry Singleton (England, 1766–1839). 

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A Moonlit Lane (1874) by John Atkinson Grimshaw (England, 1836-1893). Private Collection. 

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Hampstead (1881) by John Atkinson Grimshaw (UK, 1836–1893). Victorian London.

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