Jacoblawrence

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jacob-lawrence:Harlem Street Scene, Jacob Lawrence, 1975, Brooklyn Museum: Contemporary ArtSize: She

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harlemrenaissance-blog: Painting by Jacob Lawrence I love how vivid the colors are in this Jacob Law

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The Migration series, 1940-41. Jacob Lawrence. #jacoblawrence (at MoMA The Museum of Modern Art) ht

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jacob-lawrence: Vaudeville, 1951, Jacob Lawrencehttps://www.wikiart.org/en/jacob-lawrence/vaudeville

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Jacob Lawrence, Self-Portrait, 1977 National Academy of Design New-York

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black art (xcept 4 a tacky matisse ‘cause it was £6)

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black art (xcept 4 a tacky matisse ‘cause it was £6)

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Strike, 1949, Jacob Lawrence

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The trains were packed continually with migrants, Jacob Lawrence, 1940-41, MoMA: Painting and Sculpt

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Workshop (Builders #1), 1972, Jacob Lawrencehttps://www.wikiart.org/en/jacob-lawrence/workshop-build

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War Series: Victory, 1947, Jacob Lawrence

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The March from the series The Life of Toussaint L'Ouverture, Jacob Lawrence, 1995, MoMA: Drawings an

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War Series: Beachhead, 1947, Jacob Lawrencehttps://www.wikiart.org/en/jacob-lawrence/war-series-beac

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Man on a Scaffold, 1985, Jacob Lawrencehttps://www.wikiart.org/en/jacob-lawrence/man-on-a-scaffold-1

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Bar and Grill, 1941, Jacob Lawrence

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Race riots were very numerous all over the North because of the antagonism that was caused between t

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The Swearing In No. 1, 1977, Jacob Lawrence

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Hiroshima, Jacob Lawrence, 1983, Minneapolis Institute of Art: Prints and Drawingsbinding: black cow

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The Negro press was also influential in urging the people to leave the South, Jacob Lawrence, 1940-4

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They also worked in large numbers on the railroad, Jacob Lawrence, 1940-41, MoMA: Painting and Sculp

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They did not always leave because they were promised work in the North. Many of them left because of

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Industries attempted to board their labor in quarters that were oftentimes very unhealthy. Labor cam

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The Builders, 1947, Jacob Lawrencehttps://www.wikiart.org/en/jacob-lawrence/the-builders-1947

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Games - Sleight of Hand, 1999, Jacob Lawrence

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Among one of the last groups to leave the South was the Negro professional who was forced to follow

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Self-portrait, 1977, Jacob Lawrence

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The migrants arrived in great numbers, Jacob Lawrence, 1940-41, MoMA: Painting and SculptureGift of

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