Non-representational

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computer paintings

Link #my art #digital art #digital #abstract #abstract art #non-objective #non-representational #processing #javascript #why did i use trackpad #my hand hurts #painting #original program

computer paintings

Link #my art #digital art #digital #abstract #abstract art #non-objective #non-representational #processing #javascript #why did i use trackpad #my hand hurts #painting #original program

computer paintings

Link #my art #digital art #digital #abstract #abstract art #non-objective #non-representational #processing #javascript #why did i use trackpad #my hand hurts #painting #original program

computer paintings

Link #my art #digital art #digital #abstract #abstract art #non-objective #non-representational #processing #javascript #why did i use trackpad #my hand hurts #painting #original program

“Climbing” Paper manipulation An addition to that first plate i uploaded! This was simpl

Link #paper manipulation #non-representational

“Rolling” Paper manipulation This is the first non-representational plate i have ever fi

Link #paper manipulation #non-representational #yayayayayayay #lookit hhhh i am so proud

Mechanical Element IFernand Léger (French; 1881–1955)1924 Oil on canvas Smith College Museum of Art,

Link #french painters #french artists #fernand léger #léger #modern art #modernism #modernist #20th century #1920s #avant garde #abstract #abstraction #abstract art #non-representational #machines #mechanisms #mechanical #shapes #angles #curves #machine parts #parts #elements

Alberto Burri (Italian; 1915–1995)Bianco XV Collage of canvas, burlap, and oil on canvas, 1956 Smith

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Relational Painting, Tondo # 33Fritz Glarner (American, born Switzerland; 1899–1972)1954 Oil on Maso

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Ad Reinhardt (American; 1913–1967)Collage Paper collage, 1939 © 2007 Estate of Ad Reinhardt / Artist

Link #american painters #1930s #20th century #modern art #wpa #works progress administration #ad reinhardt #abstraction #abstract #interlocking #shapes #geometric #collages #paper #rectilinear #rectilinearity #patterns #colors #vibrant #abstract expressionism #interstices #linearity #abstractions #avant garde #non-representational #construction paper #abstract expressionist #american artists

UntitledAd Reinhardt (American; 1913–1967)1938Oil on canvasThe Museum of Modern Art, New York© 2012

Link #avant garde #abstract art #abstraction #ad reinhardt #1930s #modern art #colors #interlocking #collage-like #collages #20th century #abstract expressionism #abstract expressionist #abstractions #abstract #american painters #abstract artists #geometric #rectilinear #rectilinearity #patterns #vibrant #interstices #linearity #non-representational #dynamic #charged #pulsing #american artists #reinhardt

Juan Uslé (Spanish; 1954– )Girasoles Ciegos = Blind SunflowersMixed media on cotton and board, 2005F

Link #juan uslé #abstract art #abstraction #colors #contemporary spanish artists #contemporary spanish painters #contemporary art #decorative #labyrinths #lines #mixed media #non-representational #ornamental #painters #patterns #sequences #undulating #visionary #waves

Born in Nagpur, India, in 1924, Vasudeo S. Gaitonde was an artist of singular stature, known to fell

Link #vasudeo s gaitonde #non-representational #painting #abstract #non-objective

Born in Nagpur, India, in 1924, Vasudeo S. Gaitonde was an artist of singular stature, known to fell

Link #vasudeo s gaitonde #non-representational #painting #abstract #non-objective

Born in Nagpur, India, in 1924, Vasudeo S. Gaitonde was an artist of singular stature, known to fell

Link #vasudeo s gaitonde #non-representational #painting #abstract #non-objective

Born in Nagpur, India, in 1924, Vasudeo S. Gaitonde was an artist of singular stature, known to fell

Link #vasudeo s gaitonde #non-representational #painting #abstract #non-objective

Born in Nagpur, India, in 1924, Vasudeo S. Gaitonde was an artist of singular stature, known to fell

Link #vasudeo s gaitonde #non-representational #painting #abstract #non-objective

Joan Mitchell (American, 1925-1992), Blues Away, 1964. Oil on canvas, 50.8 x 43.2 cm.

Link #joan mitchell #abstract expressionism #abstract art #american abstraction #post-war abstraction #modern art #modern american art #20th-century american art #modernism #non-figurative art #non-representational #peintre américain du xxe siècle #peintre abstrait américain #peintre informel

Emilio Pettoruti (Argentine, 1892-1971), Sin título [Untitled], 1962. Oil on canvas, 16.5 x 22.2 cm.

Link #emilio pettoruti #abstract art #geometric abstraction #hard edge #non-representational #non-objective art #modernism #avant garde #modern art #modern argentine art #modern latin american art #20th-century latin american art #pintor argentino del siglo xx #pintor argentino moderno #pintor argentino no objetivo #pintor argentino informal #artista abstracto latinoamericano