Orozco

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Gabriel Orozco, Mexico City.Mamiya 645 + Fuji Velvia

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Gabriel Orozco

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Went all the way to Chile only to see a painting of the bridge in my backyard – “Puente

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Cold winter moments by Pruden Barquin Camera: Nikon Z6

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Panel 1. Migration - The Epic of American Civilization, 1934, José Clemente Orozcohttps://www.wikiar

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Panel 19. Modern Migration of the Spirit - The Epic of American Civilization, 1934, José Clemente Or

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Panel 20. Chains of the Spirit - The Epic of American Civilization, 1934, José Clemente Orozco

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El Brujo (The Sorcerer), 1946, José Clemente OrozcoMedium: oil,canvas

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Zapata, 1930, José Clemente OrozcoMedium: oil,canvas

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The White House, 1925, José Clemente OrozcoMedium: oil,canvas

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The Clowns of War Arguing in Hell, 1944, José Clemente OrozcoMedium: fresco

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Call to Revolution and Table of Universal Brotherhood (Science, Labor and Art), 1931, José Clemente

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Panel 12. Machine Totems - The Epic of American Civilization, 1934, José Clemente Orozco

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Youth, 1924, José Clemente OrozcoMedium: fresco

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The Rich People (detail), 1924, José Clemente OrozcoMedium: frescohttps://www.wikiart.org/en/jose-cl

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Call to Revolution and Table of Universal Brotherhood (Table of Universal Brotherhood), 1931, José C

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Ceiling mural of Hospicio Cabanas, 1939, José Clemente OrozcoMedium: frescohttps://www.wikiart.org/e

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Entrance of Colegio de San Ildefonso, 1926, José Clemente OrozcoMedium: fresco

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Call to Revolution and Table of Universal Brotherhood (Struggle in the Occident), 1931, José Clement

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artist-orozco: Ceiling mural of Hospicio Cabanas, 1939, José Clemente OrozcoMedium: frescohttps://ww

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artist-orozco: Call to Revolution and Table of Universal Brotherhood (Struggle in the Occident), 193

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Cats and Watermelons (1992),Gabriel Orozco photographs one of his charming and spontaneous subversio

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artist-orozco: Panel 19. Modern Migration of the Spirit - The Epic of American Civilization, 1934, J

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